What can we learn and apply to delivering demos from musical
performance and improv comedy? A lot! Here’s a short set of ideas to get started…
Dynamics – louds and softs.
Musicians and comedians know that the interplay between loud and quiet sections
of music and speech set up and release tension, as well as to help “refresh”
the audience. A mono-level delivery is
boring… Using the “B” key in PowerPoint followed
by lowering your voice (loudness-wise) causes your audience to lean-in to hear
what you are saying.
The Power of the Pause.
Pauses are terrific – they give time for ideas to sink in, they give the
audience an opportunity to ask a question or offer comments, and they help to
break your delivery into “chunks”. They
can also be used theatrically to set up and release tension as well, and often
well beyond what simple dynamics provide.
“Yes, and…” One of
the cardinal rules in comedic improvisation is to always say “yes” and agree,
then extend or develop the idea further (no matter how silly it may be!). It is also an excellent tool to use when
working with customers in demos. Note
that, “Yes, but…” translates to mean “No”.
Conversely, “Yes, and…” enables you to redirect, extend, and drive the
conversation as needed.
Timing. Comedians and
musicians understand the importance of timing.
Timing goes far beyond simply starting, ending and staying in sync – the
skilled practitioner in presenting demos uses timing to organize the overall
delivery, help define chunks, manage (and park) questions and keep audiences
fresh.
Awareness of surroundings.
Great musicians and improv comedians feed off of their audiences – and we
should be doing the same thing in demos.
(And especially when presenting over the web, where it is likely the
audience may be tempted to check email, browse the web, leave the room, etc....)
Execution of the performance. Of course, musicians need to play the music –
and play it well. Delivering a demo
requires a similar performance – executing the pathways and specific steps (and
following the Great Demo! process, of course!).
Listening carefully and responding thoughtfully. Great musicians and improv comedians are particularly
skilled in listening and responding, listening and responding, listening and
responding… And it is the listening portion
that is (clearly!) the most important.
You cannot respond well to what you haven’t heard!
Other ideas to suggest?